Meander, Spiral, Explode: Design and Pattern in Narrative

A hastily issued warning to everyone for whatever this review is. It’s September and I haven’t had time to turn this one into my usual Charcuterie Board of Critique (you know – a little bit of everything crammed into limited space, a vague sense of continuity, and the occasional surprising fig jam.)You remember Aristotle's dramatic structure, no, which looks vaguely like my blood pressure whenever I had to learn, teach it, or apply it.Then there’s The 5 Stages of Freytag's Pyramid, which is quite similar, only now more applicable to literature. Still very pointy.Over time, both were modified and made more exciting by books like Story Grid (which is really quite good) and Save the Cat! (also quite good).Just plug n’ chug, and voila! Instant satisfying narrative analysis!Wait! cry some of us from deep in our September bones, there has to be something else. It seems unreasonable that all works can be crammed effectively into this structure no matter how sharp our little writing crayons are.What if a narrative resembles something other than the world’s worst log flume ride?What if we don’t want to save the cat? What if the cat doesn’t want to be saved? What if it’s not a cat, but a small collection of spotted lanternflies who are coincidentally masters of disguise?And what if these spotted lanternflies are perfectly content in their own fuzzy cat-shaped group, indifferent to our need to rescue them by page 15? What if they’re living their own little lives, unconstrained by three-act structure and utterly disinterested in dénouement? And what if that’s the story?Who are we to force our sense of salvation and structure upon them? What if those little dudes are liberated from a prescribed form that is thousands of years old, and their tales need to be told in a still-deeply resonant, lightly trodden way that may be less peaky and more fractal?What if we need to respect that? Before stomping the living daylights out of them, of course.Enter Meander, Spiral, Explode which, in addition to being a great book, is my general approach to life.If you’re into literary theory, structural analysis, and new narrative frameworks – and who isn’t these days – and you also like your lit-crit to be cheeky, disruptive, feminist, and smack at axioms, look upon Jane Alison’s work, ye mighty. Despair at your leisure.After a thorough whomping of the overuse of the Aristotle/Freytag models as looking at stories through a lens of male sexual pleasure, she invites the reader to go beyond an analytical missionary position.Alison looks to patterns in nature to identify patterns in literature. She introduces six narrative designs: arcs or waves, meanders, spirals, radials or explosions, cells and networks, and fractals. With relentless vigor, meticulous dissection, and galloping prose, she unleashes patterns beyond and often livelier than the classical arc.Alison urges us to perceive narrative as both visual and temporal. Color! Texture! Words! Echoes! Impact at the syllabic level! Design elements that we can harness and use to inject innovation and boundary-pushing in writing.There is an urgency in refreshing and revitalizing how we approach narrative because that's how nature works. And storytelling is human nature. These different narrative structures all allow for accessibility, not inscrutability. They are not wacky forms for their own sake.Intention. Options.Alison’s freight-train energy and granular takes, coupled with great examples, make Meander, Spiral, Explode an often-brilliant read, and one of the more recommended rhetoric/writing books these days.Read the book, go forth, be purposeful and innovative in liberating your narrative. Then deal with the cat-shape swarm of Spotted Lanternflies at your own pace, in your own way.

I find that a lot of non-beginner craft books tend to be pretentious, dense, and trying to push one specific style of writing. This book however, is well-researched, clear, and thought-provoking. She provides excellent examples that can be understood without knowing the source materials. I absolutely adored it. It even turned me onto some other books to read! I highly recommend it.

I loved this book. It was a refreshing take on writing and/or organizing thoughts. Maybe it is just because I think like the author, but I feel that this book should be used in writing classes in contrast to all of the other texts that tell you there's one way to plot something.There is a section about word choice/sound that really excited me because it is something I consider in writing (and reading), but had not been able to describe concretely or succinctly. I wish I would have read this during my MFA program.

An interesting book which approaches literature chosen according to the categories given in the title.

I'm a writer and writing teacher , and I've always struggled when talking to my students about how to shape non-traditional narratives. I've been hearing rave reviews of this book for some time, and I'm so glad I finally bought a copy. Jane Alison has such a compelling writing style and writes brilliantly about how to design a non-linear narrative. A must have for every creative writer.

Awesome book for creative writers and beginning narratologists about the alternate patterns present in fiction besides the Aristotelian dramatic arc. Some aspects might go over your head if you're brand new to narrative discourse. However, it is still very 'approachable' material for the novice and full of carefully detailed information with examples from published texts. Highly recommended!

I’m a writer and a writing teacher and I am instantly in love with this book. So crucial for those whose plots stray from the traditional forms!

I'd have found more value in it had the author also detected variant patterns in some rather more time-tested fiction (just because a novel is old doesn't mean it must needs have been written in Aristotelian fashion), but she limited her observations to authors of recent works unknown to me. As an "organic writing" author myself, I had suspected the existence of different story structures (my own first novel, written with no advance plan or outline, exhibits a distinctly meandering wave-form). I will be looking for the patterns from Nature in everything new I read, as well as in re-reads of old favorites.

I do not enjoy reading nonfiction. There are a lot of nonfiction books that I appreciate, and there are a lot of great books on writing that I think are useful and interesting and well-written, but until now, I have never read a book on writing with the same pleasure that I usually experience when I read fiction. It's not an exaggeration to say that this book has entirely changed the way that I think about story structure. Plus, it's a great read. Really!

I have been disenchanted with the traditional way of telling stories for a very long time, yet was marked down during my creative writing MA for trying to discover ways of adding forward movement with less attention, if any, given to plot. How I wish I had had this book then. It outlines so many other ways of creating patters in fiction with clear explanations and examples. Well written, so readable, challenging in places to get your head around the possibilities but wow, fascinating and inspiring. I'm off to try out some of these 'new' ideas. The best book I have bought in ages.

An original and fascinating look at story structure from a very different angle - perfectly complements the many accounts of the linear properties of narrative, with its arcs, acts and forward momentum. Beautifully written, in depth but accessible.

This is a great book for a writer or aspiring writer red to hone her craft. I found it easy to read, fascinating and original. I think I will return to it again and again.