Review If you re passionate about painting birds but need practice and instruction, this is absolutely the book for you. --Art Book ReviewHave you always wanted to paint lifelike pictures of birds? Inside these covers are staged instructions on how to paint twenty-seven of them in acrylics. You know when Search Press gives a book a hard cover instead of a paper one to expect something special and this is no exception. Self taught wildlife artist Andrew Forkner sets out his love of birds and acrylics in a user friendly manner, ranging from what you need to buy to painting tips. Learn how to capture feathers on paper as well as birds; feet and beaks, get to grips with the unique properties of acrylics and think about how to compose your picture. Each project has a drawing to trace with instructions on how to do this, plus what paint and brushes to use and even the type of paper. This is not a step-by-step book in the usual Search Press sense as the instructions are remarkably brief. But it does not state anywhere that this is a beginner s book and it is not; aimed more at existing artists who want to try their hand at using acrylics and painting birds. There is a wide choice of these to paint, with British and American species being the main ones represented. Choose from favourites like a golden eagle, robin, kookaburra, bald eagle and mourning dove to name a few; the ends results are handsomely displayed as whole page illustrations in this large format book. This ought to appeal to any bird lover with a bit of painting experience who wants to try something new. --Myshelf.com About the Author Andrew Forkner is a keen naturalist and has travelled the world in search of wildlife. His artwork has also travelled widely, with examples of his art in collections in the UK, Europe, Kenya, Canada, USA and Nepal. A self-taught wildlife artist, he works in a variety of media, including graphite pencil, acrylics and pastel to complete his originals. Andrew lives in Oxfordshire. Andrew is a signature member of The Artists for Conservation Foundation and also a member of The Wildlife Art Society International. He has produced several commissions for the Royal Society for the Protection of Birds, of which he has been a member for over thirty years.
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