Behringer MINIAMP AMP800 Four Channel Headphone Amp

I can't help but be amazed with what you can buy these days for so little money and just have a great time listening to. The fact that the Behringer AMP800 has two independent stereo inputs was important to me because I have two PCs in my setup. The output power is more than adequate. The Sennheiser Headphones in the HD 515 and 595 I recently just bought are 50 ohms and are driven so easily by this amp that the input lights on the amp barely even come on at loud volumes. Out of the box for PC use you will need some adapters. It is marketed for pro use as it uses 1/4" mono connectors for the inputs and the output to separate amp. (It can be a second Behringer AMP800 or a different type of amp altogether as I'll explain) You can order the RCA female to 1/4" mono adapters right here at Amazon.com or get them at a Radioshack. For the headphone outputs we have 1/4" stereo connections and the same applies for 3.5mm stereo female to 1/4 stereo adapters. They are also readily available. I'll describe exactly how I have it connected and for what purpose before I discuss the actual sound quality. It really is a super versatile piece of equipment. On input A I have my PC connected to the Behringer AMP800 from an older Soundblaster X-Fi Extreme Music. I'm running a 3.5mm stereo cable from the left/right/main output that breaks out into two RCA cables with RCA female to 1/4" mono adapters on the end connected to input A left and right. I'm running two 1/4" to RCA adapters connected to the left and right output running a stereo RCA cable to my Gemini XG 3001 stereo amp. So in short you can run headphones from the AMP800 with input A and when you turn off the AMP800 you can run your stereo power amp to power speakers when not using headphones for the same source. Pretty awesome stuff right there. That capability is only possible on input A. On input B I have my other PC connected using a USB Sound Card from Sabrent that uses a C-Media chipset that offers 24 bit 96khz audio in Windows 7. It is a simple connection of a 3.5mm to stereo RCA cable and two female RCA to 1/4" mono adapters. To activate input B you press button on the headphone channel you are using until the green light comes on and turn up the volume dial for input B. Its as simple as that. Now how does it sound with my gear... Compared to the output of various receivers and the headphone output of the sound cards I'm using that don't have a built-in headphone amp the sound is really good. I've tried a lot of combos including the Soundblaster Live 24 bit, Soundblaster Xtreme Audio, Soundblaster X-Fi Surround USB, Asus Xonar DS, and various C-Media based USB sound cards of which I will review separately. You have to try different things before you understand the sound signature of an amp and can judge its performance. The AMP 800 does a great job keeping mids and highs very pronounced while having good bass output and provides absolutely no audible noise. It really has a very good soundstage with my Sennheiser HD 515s and even more so with the Sennheiser HD 595s. The 515s can be harsher and the 595s are more neutral and I can listen for hours on end with this amp. I also bought the FiiO E9 and a Soundblaster X-Fi HD USB and that combo aint that much better than this. For the price the Behringer AMP800 is a great start to headphone bliss with headphones that are reasonably priced and reasonably easy to drive. To call this amp versatile is an understatement as I did not even discuss the uses for musicians.

It's loud and clear and has great metering, multiple inputs and solid plastic build. For under $40 this thing is a steal! I share it with my studio partner who uses the A channels and I use the B channels. You can switch your headphone outputs to either get signal from the A or B inputs. Since we share a common vocal booth with 2 different control room set ups we are able to both use this device because of the two inputs. Very handy indeed!! In a pinch you can use the additional 4 headphone outputs on the back of the unit. It has TRS inputs so that you can run a long balanced signal to it. That's a definite pro feature and important if you ask me. I am truly a gear snob when it comes to buying pro audio equipment but I am not ashamed to have this unit in my studio. It works! It works well!!

This is a good device if you need a headphone amp for multiple listeners, and need to be able to switch between two inputs. I personally use it for recording podcasts or shows where there are multiple persons recording at the same time. not sure why the input meter is summed though. Pros: small footprint; nice meters per output channel, Headphones can be connected on either the front or the back, allowing for some pretty nice flexibility. Does get plenty loud too Cons: doesn't come with any mounting brackets or any clear method of attaching any; for some reason... the inputs are dual mono 1/4" jacks instead of being 1/4" Stereo (you know, like headphones are, I had to get adapters.); Input meter for both input channels combined Overall, For the money, It's a good little versatile unit. It would have been nice also if the unit would have automatically send mono to both left and right channels if only one of the input jacks were plugged in. Only plugging one will result in only having sound in one ear.

Hi Folks... My wife and I are the executive producers of a radio show and online TV show. I have constantly had an issue routing audio to headphones through a device that worked perfectly and offered options for an additional 2 outputs we could control. There are several pricy devices available - and buying two to handle our needs... too much equipment on the desk. Then I found​ this little gem. A few reviews sounded critical, but I figured for the price, why not try it. I'm glad we did! This is a champ! It is quiet running - no hiss when no signal is present. And with individual level controls for each headphone (or in our case 2 headphones and 2 audio monitors) you couldn't ask for anything better. why buy a more expensive device? This is well made, a little light but so what... and it performs! That's the best part! If you are looking for a device like this and wondering (like we did) I know you will be very happy with this. We are, and would buy another if the need arises.

I use this amp to split a line level audio signal from a mixer to the 4 cameras I use doing videos shoots. It works perfectly. I could also supply a signal to 4 more devices. It will handle 8 devices (or headphones) on 4 channels. The individual gain controls and the LED meters are great. It's also compact and light so it doesn't add a lot of unnecessary weight in my gear box. I'm a big fan of this little amp. It works extremely well for my purpose and it's at a great price point.

Funciona perfectamente. Tengo 3 años usándolo y nunca me ha dado problemas.

Fait le boulot pour une repet à 4 silencieuse... chacun ses réglages. On a fait une maquette en toute simplicité, avec un zoom r16, en mode hop hop hop chacun son casque... nickel

Buen producto, es más compacto de lo que esperaba y pinta para aguantar batalla. Apenas si lo he probado pero ningún problema hasta ahora

I bought this multi power headphone for recording home studio, I was surprised about the quality of sounds for 4 headphones. Very convenience and easy to use.

EDIT Sunday February 16, 2020: This may, I'd say WILL, help you deciding whether to purchase this or another product. This morning I listened to an old RCA BK5A, among other mics, through speakers and thru the Behringer reviewed here. While listening to see if the ribbon was warbling, something happened that would crush the average human and any normal headphone amp and put them out of commission. Accordingly, I'm editing my earlier review, trashing most of it, and upgrading my rating. You will see why in a moment. Here's why: I share my studio monitors with an adjacent computer set up. I don't use the computer in the studio, just the monitors. You can buy them here at Amazon.ca. I was turning the powered monitor around so it would face me while working on a mix in the studio. On the studio desk are two Zoom R24s daisy-chained, three extra preamps, labels for the Zoom channels, and the Behringer headphone amp. So where were we? So I'm not paying attention as I should have. I thought I'd finished turning the monitor cabinet around on its perch securely above the Zooms, above the headphone amp. Bang. I hear a crack like a handgun: Clint Eastwood's handgun. My monitors are good. They're not Genelecs but they're ..... decent. They are also extremely heavy. How heavy? Drop one of these on a bare foot and, when you're done cussing, guaranteed your toe is broken...at least one of them. When I say "heavy" I'm referring to a cinder-block, or maybe two heavy bell brass snare drums in the same hard case back-to-back. The monitors in question are Audioengine 5+. One of them dropped off the ledge and fell right, smack onto the Behringer headphone amp (B Mini-Amp 4-Channel). The metal clad speaker tore the Behringer into two distinct pieces: the front metal plate, you know with the lights and buttons, and the rear guts. It was toast. Not worth repairing. But hang on........ Guess what. For fun (using the term loosely), I picked away at the ruins and was able to get my hands around the front metal panel, bent like a sculpture. Interesting. Although that plate lay two inches from the rest of the unit, the headphone jacks somehow stayed in place. I worked at it a bit and got it seated close to where it was before. It wasn't pro body-and-fender work but it's still hanging together as we speak. I watched in amazement as the LED, the lights, everything was still on and flashing (the level LEDs). I hadn't turned the power off. And the Zooms were playing a bed track I had just begun listening to when I realized I need to rotate the monitor. I also was A/Bing my listening using two sorts of headphones plugged into the Behringer. In fact, upon examination, each headphone input on the Behringer worked like the day it was new. And each button pressed smoothly in, smoothly-out. Do your realize the enormity of the situation here? Okay, if not, take a hammer to one of your stereo components and see if it still works. (Please note: the opinions and suggestions herein do not necessarily reflect those of Amazon staff or management). This has been Behringer week. I own a Behringer mic, the B2 Pro. It looks a little like a U67 (revered Neumann), weighs just as much from what I recall and behaves, to my delight, very much like a U47 Neumann FET just outside the bass drum head. In my case, very much like the Warm WA47Jr FET.... a little less bottom but nice thick mids. I was surprised at the clarity, richness of the tone, the B2Pro added to the close mic on the bass drum, an ATM25. I've had the Behringer mini headphone amp for six months and while I found the navigation a little odd, and the knobs a little hard to read during a few sessions, I have to say it took everything we threw at it (bad, bad usage) and worked a charm. Six months later, 18-hours each day (honestly) in use without switching off for union breaks (joke) and everything is working smoothly. Yes, I do wish Behringer would change it so that a stereo 1/4" out of the Zoom would go into a stereo 1/4" in the Behringer. Couple of things so tiny that when the thing gets smacked from a heavy object that fell from the sky, then works fine, smoothly, and flawless, I feel kind of foolish nitpicking ... never ONE screw-up from Oct - February. All I can say is this is a quality piece of gear. I'd buy another one. Glad I don't need to, though. FIVE out of five stars. SIX out of five. Tbw PS: (from the original review) Put double sided tape or Velcro under the unit. That way when you plug cables into it, the Behringer won't leap off the desk and follow those cables the moment you turn your back. Tbw

It's very usefull to hear 4 people at a time when it comes to the quality it looks economy🤓 but it works like a pro 😎