D'Addario Guitar Strings - XL Chromes Electric Guitar Strings - Flat Wound - Polished for Ultra-Smooth Feel and Warm, Mellow Tone - ECG24 - Jazz Light, 11-50, 1-Pack

I used these on both my Jaguar (Am Pro II) and Jazzmaster (Am Original 60s). How they're different form round wound strings: Flat wound = no string sliding noise. This can be considered a pro or a con depending on your preferences. It's also useful considering the next point... Wound G = nigh impossible full step bends. The ECG24s are already thicker than typical round wound strings, and the G string in this set requires a lot of effort to get a full step bend. It's possible, but requires a more effort than I'm used to - or even capable of - doing casually. But with the noiseless sliding, it's easy enough to slide up that full step when you can to compensate. Thicker = Setup adjustments. I used these on guitars that were set up with 9s prior. It took a little bit of tweaking to get the action back to where I liked it. Not a ton, but a little. There were zero changes needed at the nut, these should slot right in to any guitar set up for standard gauge strings. On the Jaguar, they replaced what I set up most of my guitars with; a set of D'Addario EXL120s. They, unsurprisingly, darken the tone compared to a set of light gauge strings and create a very mid-forward timbre. I like the way they feel, and it's a fun change of pace, but I'll probably buy the ECG23PLs next to see if I can get back some of that brightness. If those don't do it, I might go back to EXL120s. That's just how I like my Jaguar to sound. Your tastes and preferences may be different. On the Jazzmaster, Wow. I had always heard that Jazzmasters benefit greatly from flat wounds, but I never wanted to believe it. Now I'm a believer. Anyone who's picked up a JM can attest to the amount of treble they typically put out. The ECG24s took that treble heavy EQ and effectively flattened it out. It now has an excellent and pleasant balance across the whole frequency range to my ear. The treble bite remains, but it's been tamed to a level that isn't as harsh on the ears. They also seem to have deadened the sympathetic vibrations that JM bridges are known to inherently have. They've been effectively eliminated from mine, and I'm still using the stock threaded saddles that the guitar came with. I will definitely continue using these for my JM. Overall, I say they're worth a try on any guitar you may own. But, they are a must-try for anyone that owns a Jazzmaster. Pro Tip: If you want to try flats and still want brighter tones, get an EQ pedal. Everyone should have a Boss GE-7 in their arsenal anyway.

I'm sure why I bought these and had no idea what I was getting into. I like to play a jazzmaster heavily overdriven through a boss blues and then a fuzz pedal, preceded by a wah, through a fender Princeton. Sound is like heavy david gilmour. These strings are very different from anything I've used in the past, which have always been cheap ernie ball wound strings. Here are the cons (after a couple days of playing): They feel weird - very unnatural without the regular wound feel. My fingers do not slide as well on them - they feel sticky, kinda like a suction cup feel. Also, the G string (well I tune a step down, but you know what I mean). - is really weird. It is not your typical thiner string. It is a fat one, and it's really hard to bend it up a half step. I mean, it IS possible, but you have to bend it really far to bring the note up a whole step. Weird. The B & E are bendable, yet thicker than I'm used to. When I first installed these strings, I was like WTF, and actually was thinking to rip them off and replace them. But, I didn't have any other strings on hand, so I just played my guitar like usual, jamming out to some blues, classic rock, psychedelic backing tracks. Then I began to notice - the guitar's voice had been significantly altered. And here is the reason I'm not really sure what I'm gonna do, and I may even leave them on, or buy a second guitar, maybe a strat, which I can set up with regular strings --- the Jazzmaster, with these strings, changes sound so much, it's unbelievable. It adds balls, weight, grit....it almost makes it sound like what I'd imagine a reallly good Les Paul might sound like (that's a guess). For anything that involves non-soloing - playing chords, playing songs, there is a significant improvement in sound. The guitar now, through the setup I'm using, has without a doubt the best sound I've ever been able to produce in my life. I'm going to have a hard time taking these strings off this thing because of that. I was a little concerned my fingers might take too much of a beating trying to bend these fat ass strings, but idk - I think I'm gonna try to limit my playing to ~30 min / day while my fingers adapt and stick with these, and like I said, maybe get a second guitar that's set up with regular strings ( nickel wound 10 - 13 - 15 xxx ). Here's another thing - so an issue I have when soloing is I am going in the direction where I play so many notes I kinda sometimes feel like I'm just jabbering away and making sounds without making musical statements. What these thicker strings do for me, is they kinda make it harder to play quite as fast, but each note you do play will have more character, so it encourages me at least to slow down a little and really enjoy the articulation??? ( the character ) you can put into less notes. In other words - my playing actually sounds, to me, more professional, more like what I hear on great records....bottom line, these are friggin amazing, yet uncomfortable in ways, strings.

Best guitar jazz strings unbelievably smooth and easy on fingers

D’Addario XL Chromes Electric Guitar Strings deliver exactly what they promise—a buttery-smooth feel and rich, mellow tones. The flat-wound design minimizes finger noise and makes sliding effortless, while the polished stainless steel wrap adds a layer of sophistication to your sound. Perfect for jazz or any style requiring warmth and depth, these strings maintain excellent intonation and durability. Highly recommended for musicians looking to elevate their tone with ultra-smooth playability!

Me gustaron. Es mi primer set de flat wound. Si se sienten diferente, y están algo pesadas. Yo lo que hice fue un ajuste, combine algunas de estas cuerdas con las de otro set de rounds. La tercera la sustituí por una de otro set round wound de un calibre similar y use la tercera de este set como mi cuarta cuerda. Por lo que no use la E mas grande.Estoy contento con el resultado. Utiles y resistentes, buen sonido. Llevo ya casi un año tocando con estas y he podido sacar buenos sonidos. Lo único que comentaría es que es difícil sacar bends de tres semitonos. Recomiendo, recuerden reajustar sus guitarras (truss rod, acción, entonación). :)

In the past two years, I've changed everything about my guitar playing. My primary guitar (short scale Jagmaster to long scale Jazzmaster), my amps (from Fender modelling amp to Jazz Chorus + Marshall combo), my pedals (basically none to a large board with a dozen of them), and my strings (from lights, as low as 7s at times, to 10s, also changed brands). Now, I believe the evolution of my guitar preferences has finally completed, with the last change, back to D'Addario brand strings, and specifically to the Chromes flatwound strings. Anyone with a Jazzmaster knows that the pickups are pretty generous with the high end. Before getting my first one, I never touched a tone knob before. Now I find myself needing to use it so my ears don't get stabbed to death. However, these strings really mellow that quite a bit, to the point where I could probably leave my tone knob at max and just adjust my pedals or amp settings, ever so slightly. On top of the more mellow sound compared to rounds, these feel great on the fingers. At first I wasn't sure, but a few days in and I'm finding it hard to pick up any of my other guitars because of the relative roughness. I did try D'Addario Half-Rounds as well, but they feel even worse to me than round-wound; they almost have a gritty, nail file type feeling to them. So, as quickly as the half-rounds went on to my cheapest Jazzmaster, I think they will be coming off and flats will go on. I primarily play heavy metal, and I think these sound good, but it'll depend what sound you're going after. Maybe you want the string noise and a bit more harmonic content rather than fundamental note, so you should stick to round wounds. But these are worth trying at least once, I think. Yeah, they cost more, but I've heard they last a lot longer. I haven't had them long enough to vouch for that. But I really love how they feel so I'm sure I'll find out in due time. Only question remaining is, what do I do with these 5 packs of Ernie Ball Slinkys that I've got sitting here unopened?

I’ve been a huge fan of elixir brand stings ever since I got my acoustic Taylor’s and then switched to elixirs on all my electrics. It’s been 3 weeks of using these flat wound strings and love it. The feel is easy, It’s become comfortable playing extended chords. And fingers crossed it lasts as long as my elixir’s and since their flat wound start sounding better & better as the months' pass.

Ich habe bisher auf meiner Harley Benton Vintage Telecaster, zuerst mit den Saiten im Auslieferungszustand und dann Erny Ball Saiten verwendet. Ich habe mich für diese hochpreisigen Flatwound Saiten, weil ich das Rutschgeräusch beim Akkordwechsel minimieren wollte. Ich bin von diesen Saiten begeistert. Nicht nur die Geräuschminimierung, sondern vor allem der Sound dieser Saiten, die Stimmstabilität, super. Empfehlenswert.

Instalei em uma Guitarra Condor JC503 (Semi-Hollow) e o resultado foi muito bom, agora vou acompanhar para ver a durabilidade, para no futuro poder opinar sobre este aspecto